An Inexhaustive-But-Highly-Curated List Of The Best And Most Iconic House Music Songs From The 90s – Magnetic Magazine

Will Vance • Apr 24, 2024
House music wasn’t born in the 90s but came of age throughout this decade. From coming into its own unique and stylistic sound to technological advancements that made producing it a bit easier (albeit nothing compared to today), the genre as a whole became a cultural movement that went beyond its initial small niches in cities like Chicago and New York. 
Around this time, DJs also began rising to prominence, and artists like Frankie Knuckles, Marshall Jefferson, and Todd Terry became some of the earliest heavy hitters in this blossoming industry. 
However, one of the most significant differences between then and now was that there were no algorithms and streaming sites to spoon-feed you curations and track recommendations. On the contrary, the world’s biggest DJs kept their favorite tracks as close to their chest as possible, meaning that tons of iconic and timeless records were lost in the dust-covered annals of your dad’s old record collection. 
Until now…
We spent months digging around the internet, researching old charts and archaic zeitgeists to find some of the most iconic and genre-defining house music records from the 90s. We then put them all into this amazing, although far from comprehensive, list for you to enjoy! 
A young bass player named Adonis Smith from Chicago’s West Side was inspired by local house records like Jesse Saunders’ “On and On.” Smith didn’t know much about underground clubs before that but believed he could create something better. And he did. “No Way Back” remains a key influence in house music, known for its repetitive lyrics and catchy beats. 
Vocalist Gary B. delivers “Too far gone/Ain’t no way back” lyrics with a sultry voice, backed by a funky bassline and electronic claps. Marshall Jefferson, another Chicago native, vividly remembers the first time he heard the song at a party: “Everyone went wild, shouting, ‘Wow, this is amazing!'”

“Follow Me” by Aly-Us from New Jersey is a classic dance track with a unique vibe. It combines sharp synthesizer sounds, a groovy bassline, and raw male vocals. The song’s appeal comes from its imperfections, typical in beloved dance tracks. Released in 1992, it significantly influenced DJ culture and has become a timeless dance classic. 

Armand van Helden moved frequently as a child because his father served in the US Air Force. He began DJing at a young age, purchasing a drum machine at 13 and joining a rap group at 16. In the early 90s, he released various tracks, starting with a mix of Deep Creed’s “Stay On My Mind.” His first hit, “Witch Doktor,” was released in 1994, leading to remix opportunities for groups like New Order and Deee-Lite. 
He gained popularity after his 1997 UK number-one remix of Tori Amos’ “Professional Widow.” In 1999, he collaborated with Duane Harden, incorporating a sample from Dexter’s Lab in the extended version. 
Harden, a talented vocalist with meaningful lyrics, complemented the track well. The song incorporates Carrie Lucas’s “Dance With You” elements for its melody and Jaydee’s “Plastic Dreams” for its drum work. 

This song was released in 1999 and is part of an album with the same name. It starts with a mix of distant sounds and voices. A synthesized melody with occasional singing follows, maintaining some of the initial sounds. As the song continues, a woman’s voice becomes more prominent, leading to a catchy chorus and smoothly progressing the music. 
Backup singers join in, repeating lines to support the main singer, who continues to bring back the chorus. The song briefly calms down before an orchestral sound appears. Then, the instruments resume with the main synth and drums as the backup singers return.

“Beautiful People” is a song by American singer-songwriter Barbara Tucker. Strictly Rhythm Records released it on March 2, 1994. The song was Tucker’s first single and topped the US Billboard Hot Dance Club Play chart on April 16, 1994. It also reached number 23 on the UK Singles Chart and led both the UK Dance Singles Chart and the UK Club Chart. Critics have praised the song for its lively production and Tucker’s strong vocals. 
Larry Flick from Billboard highlighted the song’s solid beats and catchy hook, calling it an “unstoppable star vehicle” and “an instantly memorable house anthem.” Critics also appreciated the song’s gospel-influenced organ, clapping snares, and Tucker’s exceptional vocal performance. Maria Jimenez from Music & Media admired its smooth rhythm and powerful vocals, while Andy Beevers from Music Week praised its uplifting lyrics and quality.

“Everybody Everybody” is a song by the Italian group Black Box from their first album, “Dreamland,” which came out in 1990. The vocals are by American singer Martha Wash, even though French model Katrin Quinol was credited visually. This led to a dispute and a lawsuit by Wash. 
The song was written by Daniele Davoli, Mirko Limoni, and Valerio Semplici and released by RCA Records as the album’s third single. It combines house, pop, and Eurodisco styles, including organ, drums, horns, and strings. The track also features a vocal sample from Larry Blackmon and a drum loop from Bobby Byrd’s 1987 remix of James Brown’s “Hot Pants.”

The Black Science Orchestra, with UK producers Ashley Beedle, Marc Woolford, Rob Mello, and Uschi Classen, played a significant role in the music scene of the 1990s under the BSO label. One of their notable works is the 1994 EP, which features the standout track “New Jersey Deep.” 
This track pays tribute to the 1976 song “Funkanova” by Wood Brass & Steel, known for its lively space funk sound. “New Jersey Deep” stands out for its use of synthetic strings in the arrangement. This element fits well within the deep house genre, capturing the emotional depth in tracks like Pepe Bradock’s “Deep Burnt” and Trackheadz’s “Our Music.” Synthetic strings are popular in deep house music because they can enhance a track’s emotional and sonic depth, improving its overall impact.

“Lovelee Dae” by Blaze, released in 1997, is a significant part of house music history. Created by Josh Milan and Kevin Hedge from New Jersey, it represents house music’s soulful and spiritual essence, a style they developed for over twenty years. Their musical impact remains strong despite their ending their partnership due to financial disagreements.
 Even years after its release, “Lovelee Dae” still resonates on dance floors worldwide. It is often remixed by new artists, notably by Bicep in 2016. This song showcases Blaze’s distinctive sound, driven by Milan’s emotional chord progressions and their collaborative songwriting. It continues to bring joy and energy to both listeners and dancers.

“Brighter Days” is a popular song by artist Cajmere, released in January 1992. This track combines different house music styles, like Garage House, Deep House, and Chicago House, with a touch of Ghetto House. 

In 2019, the music world lost Philippe “Zdar” Cerboneschi, a pioneering French musician, at the age of 52. Zdar was one half of Cassius, a duo known for their debut album “1999,” released in the same year. This album was created on a limited budget in three weeks, blending influences from soul legends and innovative beats to shape the French touch genre.

CeCe Peniston’s song “I’m Not Over You” significantly impacted the music scene in 1994. Initially released as a B-side to her hit “Hit by Love,” this track showcases CeCe’s strong vocals and infectious rhythms, blending R&B, funk, and hip-hop elements. The song quickly gained popularity, reaching high positions on music charts and making it to the top ten for R&B songs in America.

The “MK New York Dub” remix of Chez Damier’s “Can You Feel It” is an excellent example of how remixes can bring new life to classic tracks. This version keeps the soul of the original 1992 house hit but adds fresh energy, making it feel nostalgic and new. The track is expertly reworked with lively basslines and sharp string stabs that drive the rhythm, capturing the essence of a New York dance floor. 
The subtle, ghost-like vocal sets this remix apart, saying, “Keep us moving.” It adds a playful touch, bringing warmth and familiarity to the track and inviting listeners to get lost in the dance. MK’s remix doesn’t just copy the past; it refreshes it, offering a groove that’s just as captivating today as it was in the early ’90s. It’s a perfect mix of classic house vibes with a modern twist.

Class Action’s ‘Weekend’ (Larry Levan Mix) on Vinyl 12″ is a must-have for disco lovers! This hit from 1983, created by Leroy Burgess & James Calloway and produced by Bob & Lola Blank, is a gem from the early ’80s garage disco scene. 
This track is an anthem for weekend enthusiasts, released under Arthur Russell and Will Socolov’s Sleeping Bag label. The record includes the main track and an acapella version for mixing.

COEO’s track “Like It Is” has resonated with people worldwide, showcasing the universal appeal of house music. Fans of all ages and backgrounds, from Ibiza to Europe, can’t resist dancing to its catchy beat. The song is a modern twist on a ’70s soul/disco classic, blending nostalgia with a fresh sound. “Like It Is” brings joy to crowds in Beijing and stirs up memories in Ibiza, embodying pure fun. 
It goes beyond music, creating a sense of connection to a global community that embraces life and rhythm.

Crystal Waters made a big impact in 1994 with her song “100% Pure Love” from the album “Storyteller.” The track was a hit in countries like Australia, Finland, and the United States, earning platinum and gold certifications. It was named the Top ASCAP Dance Song in 1995 and received a nomination for Best Dance Video at the MTV Video Music Awards. 
The song was a departure from the popular gangsta rap of the mid-90s. Despite initial doubts from her production team, Basement Boys, the chorus “From the back to the middle and around again, I’m going to be there ’til the end, 100% pure love” captured the positive energy Waters wanted. 

Daft Punk’s song “Around the World” was released in 1997 and quickly became a classic in electronic music. It is the second single from their first album, “Homework,” blending disco, funk, and house music. 
The music video, directed by Michel Gondry and choreographed by Blanca Li, creatively showcases different groups of dancers representing each musical instrument, adding to the song’s appeal. “Around the World” was a chart-topping hit in many countries, solidifying its status as a dance anthem. 

Daft Punk, a key player in the French house movement, significantly impacted house music with their first album, “Homework.” Although not flawless, the album introduced some unforgettable tracks like “Around the World,” “Da Funk,” and the lesser-known gem, “Revolution 909.” “Revolution 909,” released in February 1998, stands out for its deep house beats and intricate layers, capturing the essence of a rave. 
The track subtly criticizes French restrictions on raves, setting a unique atmosphere with a steady rhythm rather than a catchy hook. While Sanchez’s version offers a chaotic twist, the original’s cleaner execution appeals to many listeners. While not as popular as “Around the World,” “Revolution 909” provides a smooth, captivating experience true to house music’s spirit. It deserves recognition from fans of pure house beats.

Davina’s song “Don’t You Want It” is a classic that combines vocal house and techno styles. Released in 1992, it was a significant moment. Underground Resistance, the group behind it, was known for techno but surprised fans with vocal house tunes. The song starts with exciting chords that DJs enjoy playing with. It blends soulful garage vibes with deep techno sounds, creating a unique mix. 
Davina’s voice adds a personal touch around three minutes in.

“Groove Is in the Heart” by Deee-Lite is a popular song that mixes disco, funk, and hip-hop. It was released in 1990 and became a hit worldwide. The band made a fun music video to go with the song. The track includes samples from other songs, vocals from Bootsy Collins, and a rap by Q-Tip of A Tribe Called Quest. The lively rhythm and playful lyrics make it a favorite on dance floors.

“Missing (Todd Terry Club Mix)” transformed Everything But The Girl into a global sensation. Tracey Thorn and Ben Watt, the duo behind the group, were pleasantly surprised by the song’s success. Despite facing challenges from their record label, they persevered and proved their music’s worth. 
The remix by Todd Terry infused the song with fresh energy, making it a hit on big stages worldwide. “Missing” marked a significant milestone in Everything But The Girl’s career, showcasing their ability to create meaningful yet danceable music. Thanks to Todd Terry’s remix, the song remains a timeless classic that continues to move people today.

“Insomnia” by Faithless is a popular 1995 song that became a hit, especially in the UK, due to its catchy beats and clever lyrics. The song is about the struggle to sleep, which many people can relate to, especially those who enjoy nightlife. 

“Fantom – Faithful” is a standout track in French touch music. Created by Julien Jabre, also known as Fantom, this song perfectly captures the essence of the French touch sound. 
The magic of “Faithful” is in its simplicity. It features a sample from T-Connection’s “At Midnight,” with cool effects like phasing and a powerful bass drum. Add in some hi-hats and train sounds from Telex’s “Moskow Diskow,” and you’ve got a recipe for a groovy tune. What makes “Faithful” special is its elegance and funky vibe. 
Despite its minimalistic approach, the song captivates listeners with its lush sound. Unsurprisingly, it’s been featured in mixes by Daft Punk and included in key compilations of Paris house music. “Faithful” is a true gem in the world of French touch.

Folamour has rocked stages all over the globe, from iconic venues like Paris’s Olympia to cool spots like London’s Printworks. He’s also hit up significant festivals like Glastonbury and Tomorrowland. Folamour’s special talent lies in connecting with his audience, creating unforgettable vibes wherever he performs.

This song was released in 1991 as part of the album “Beyond the Mix.” The tune starts with soft strings and drums, followed by a whistle sound. Then, the main whistle melody begins, accompanied by chords. The music gradually intensifies with more strings and higher notes in the whistle. 

Released in 1992, this track quickly became popular in dance clubs due to its catchy beat and uplifting vibes. One exciting aspect of “Passion” is its blend of house music styles, often called one of the first “progressive house” songs. 
This song significantly impacted the UK dance scene and is still played in clubs today. In 1996, a version with vocals by Beverley Skeete reached number six on the UK charts. “Passion” has had a lasting influence on dance music, inspiring DJs and producers for years. It’s a timeless tune that keeps the party alive.

George initially planned to include “Too Funky” in a different album but decided to donate all the song’s earnings to the Red Hot + Dance project, which raises awareness about AIDS. Although the song wasn’t on his albums at first, it later appeared on compilations. 
“Too Funky” has a catchy beat and mature lyrics. Its cool vibe makes you want to dance. Critics praised its funky sound, comparing it to Bobby Brown and Michael Jackson. Overall, “Too Funky” remains a popular hit that still gets people dancing today.

“Deep Inside” by Hardrive is a classic house track from 1993, produced by Little Louie Vega. It’s known for its catchy hook and evocative lyrics, with samples from Barbara Tucker’s “Beautiful People.” 
The song, released on Strictly Rhythm, a prominent NYC house label, has been a favorite among DJs worldwide for its blend of deep beats and soulful vocals. Over the years, it’s been remixed several times, but the 1995 Masters at Work remix stands out as the most iconic version, with its bottomless drums and driving rhythm. With its infectious groove and timeless appeal, “Deep Inside” remains a staple in the canon of classic house music

Hollis P Monroe’s “I’m Lonely” is a classic deep vocal house track first released on Stickman Records in 1997. This Groovin reissue revives the bass-heavy crowd-pleaser, featuring synth lines reminiscent of Martin Bonds’ Reel By Real project. 
The song starts with a long intro before diving into soulful vocals inspired by Robert Owens, creating a sense of yearning. DJ Decent’s “Acid Mix” adds a new twist with squelchy 303s and a tough breakbeat, while Wamdue’s remix takes a hypnotic approach with tech-house vibes and dramatic effects. 
With its sensual pads and irresistible groove, “I’m Lonely” is a must-have for any house music enthusiast.

“Got a Love for You” by Jomanda is a dance-pop and house song topped the US Billboard Dance Club Songs chart in 1991. It’s from their debut album, “Someone to Love Me,” and was a hit on the pop charts, marking their only top 40 entry on the Billboard Hot 100. 
The single featured Eric Miller and Steve “Silk” Hurley remixes, adding rich harmonies and exciting percussion to the mix. Critics praised the track for its deep house roots and irresistible groove. 
Billboard’s Larry Flick called it a “delicious jam,” while Music Week’s Alan Jones predicted it would be a pop smash. Over time, it became recognized as one of the best dance records of the ’90s, earning a spot on Slant Magazine’s list of the 100 Greatest Dance Songs of All Time in 2020. “Got a Love for You” remains a beloved anthem in dance music.

“U Gave Me Love” by Kenny Bobien was released in 1999. It combines gospel and house music, produced by Basement Boys. The song captures the uplifting spirit of gospel with catchy beats and soulful vocals. 
Bobien’s voice is celebrated in the genre for its passion and sincerity. 
The track includes lively piano chords, energetic beats, and disco elements that create a joyful atmosphere. Bobien’s vocals express gratitude and love, resonating deeply with listeners. “U Gave Me Love” is more than just a song; it’s a heartfelt expression of faith and devotion, a timeless gem in gospel house music.

“What About This Love” by Mr. Fingers, also known as Larry Heard, is a timeless masterpiece. 
Larry Heard, recognized as the godfather of deep house, showcases his musical brilliance in this track, taking listeners back to the vibrant Chicago music scene of the late ’80s and early ’90s. The polished production and soulful vibes of “What About This Love” make it ideal for the dancefloor and intimate settings. 
With its deep beats and captivating groove, this song has an enduring charm that continues to enchant listeners, securing its place among the classics of house music. Larry Heard’s talent and artistry shine in every note, making “What About This Love” a must-listen for fans of deep house and electronic music.

“Let the Beat Hit ‘Em” by Lisa Lisa and Cult Jam is a famous house track from 1991. It topped the US R&B chart for a week and reached number 37 on the Billboard Hot 100. The song’s catchy chorus and infectious beat made it a favorite on dance floors, earning it the group’s third number-one spot on the US dance charts. 
The song features samples from tracks like “Ghetto Heaven” by The Family Stand and “Best of My Love” by The Emotions. Critics praised its danceable rhythm and Lisa Lisa’s vocals. Marcus Nispel directed the music video, which adds visual flair to the upbeat vibe of the track.

“The Ha Dance” by Masters At Work is a famous track inspired by a scene in the movie Trading Places. In the early ’90s, DJs Kenny Dope and Louie Vega, known as Masters At Work, used a sound bite from the film to create a famous club hit. The “Ha” sound from the movie turned into a catchy loop that got people dancing. This song became significant in the ballroom scene, providing a platform for LGBTQ+ individuals to express themselves through dance. 
“The Ha Dance” was perfect for voguing, a dance style blending grace and intensity. DJs like MikeQ recall how this track revolutionized dance floors, getting everyone moving to its rhythm.

“Horny ’98” by Mousse T. vs. Hot ‘n’ Juicy is a popular house song from 1998. It features vocals by Inaya Day and was a hit in the UK and Italy. The song has a catchy beat and fun lyrics, making it a summer favorite in Europe. Originally named “Horny Track,” it was released in 1997 without vocals. The song became a dance floor hit after adding Emma Lanford and Nadine Richardson vocals. 
Critics loved its disco vibe and sultry vocals, making it a favorite among club-goers and radio listeners. Whether you’re at a club or home, “Horny ’98” will surely get you dancing to its infectious rhythm.

“Runaway” by Nuyorican Soul, featuring India, is a lively song that became famous in 1996. Produced by Little Louie Vega and Kenny “Dope” Gonzalez, it is a cover of The Salsoul Orchestra’s hit from 1977. 
With its catchy beat and vibrant vocals, “Runaway” became a club favorite and reached number one on the US Billboard Hot Dance Club Play chart. Critics praised the song for its joyful take on the original disco classic. Barry Walters from The Advocate described it as “joyously reverent” and congratulated India’s bilingual vocals. 
Larry Flick from Billboard lauded the track’s faithful rendition of the disco classic and highlighted India’s powerful performance. The music video adds depth to the song’s story, showing three women leaving their boyfriends behind.

“Hear The Music” by Paul Johnson is an electronic track released in May 1996. It showcases the artist’s talent in house and deep house music. The album, released under Peacefrog Records, features four tracks: “Hear The Music,” “My Free Feelings,” “Knob Twist,” and “Tikkle Me.” Recorded in Chicago, the album quickly gained popularity in the electronic music scene. 
Critics and fans have praised Paul Johnson’s work, especially tracks like “Tikkle Me” and “Knob Twist.” Johnson is known for his innovative approach to house music, with groovy beats and unique vocal samples. “Hear The Music” remains a standout release in Johnson’s discography, highlighting his mastery of electronic music.

Produced in a spontaneous studio session in 1998, this song originated from a vocal snippet of Stargard’s “Wear It Out.” Initially, it was a rough 15-minute demo, but Heller refined its sound by experimenting with filtering techniques. The filtering gave the track a unique vibe, like hearing music through a muffled barrier. 
Part of the ‘French touch’ movement in the mid-90s, “Big Love” became popular in the UK, highlighting the country’s role in the global rise of filter house and disco.

“Show Me Love” by Robin S, released on April 23, 1993, is a quintessential single in the Euro House and Diva House genres, encompassing Deep House and Garage House elements. Its passionate, energetic vibe and Robin S’s dynamic vocals have made it a staple in party playlists for decades.

“New Day” by Round Two was released in February 1995 on Main Street Records. It is an influential electronic album that combines deep house and dub techno styles. The vinyl version includes three tracks: Club Vocal Mix, Edit, and Dub, all at 125 BPM. 
Andy Caine provides vocals on the album without credit. The tracks’s sound and production quality have sparked discussions among fans. Some admire its timeless appeal, while others discuss variations in different pressings and mastering techniques.

Gabriel” is a soulful house anthem from the ’90s with a legendary status and a complex history. It was produced by Chicago house legend Roy Davis, Jr., and Peven Everett. The track started quietly in the U.S. but gained popularity in the UK with its “Live Garage” mix. 
Despite being initially unknown in America, the bassline-driven groove resonated with UK audiences, marking the rise of “speed garage.” Everett’s angelic vocals and musical talent added to the track’s appeal.

“Music Sounds Better With You” by Stardust defined the summer of 1998, encapsulating the euphoric spirit of Ibiza’s heyday. The track embodies the exhilaration of new romance, featuring a catchy riff borrowed from Chaka Khan’s “Fate” and a vibrant vocal performance. 
Despite being Stardust’s sole release, the song became a global sensation, resonating in clubs and airwaves. Recently remastered for its 20th anniversary, the trio returned to the studio, aiming to refresh the timeless classic while preserving its essence.

Todd Edwards is well-known for his unique production style. He uses layered samples that may seem different initially but come together with repetition. His impact on the U.K. garage scene is significant, especially with his quick hi-hats and creative cut-ups that have influenced the genre. One of his most famous works is the remix of St. Germain’s “Alabama Blues,” which showcases his distinctive sound. 
In the “Vocal Mix,” Edwards creates an engaging atmosphere by blending syllables seamlessly into the track. The “Dub Mix” also demonstrates his creativity, with syllables forming the comforting phrase, “It’s all right, Jesus loves you,” adding a spiritual touch to club music.

When it came out in 1993, “Give It Up” by the Good Men, also known as Chocolate Puma, had a big impact on the dance music scene. The song sampled tracks by Sérgio Mendes and Sinnamon, captivating listeners with its catchy rhythms and unique sound effects. Critics praised its mix of African rhythms and synthesized drum beats. 
The song topped the US Billboard Hot Dance Club Play chart and reached the top 10 in various European countries. DJs and producers still love it, with Armand van Helden calling it a timeless classic that influences modern dance music.

Sounds Of Blackness’ “The Pressure” is an iconic release that epitomizes the diversity and innovation of electronic music in the early 1990s. Released on Perspective Records in 1991, this vinyl 12″ offers a fusion of genres, including gospel, contemporary R&B, New Jack Swing, and house. 

In 1996, Todd Terry released “Keep On Jumpin'” with Martha Wash & Jocelyn Brown. The song became a hit on the Hot Dance Club Play chart. Known for its house music style, the version stood out thanks to Wash and Brown’s incredible vocals. 
It was the first of two back-to-back number-one hits for the trio. Their next song, “Something Goin’ On (In Your Soul),” reached the top in 1997.
Wash fondly remembers recording the song, emphasizing the special collaboration between the artists from different locations.

“Something Goin’ On (In Your Soul)” by Todd Terry featuring Martha Wash and Jocelyn Brown is a standout track from Terry’s debut album, “Ready for a New Day” released in 1997. 
The song hit the top 5 in Italy and the UK and topped the UK Dance Singles Chart and the US Billboard Dance Club Play chart. Critics praised its energy and soulful vocals, with Fact magazine ranking it among the top 25 Diva-House Belters. With its uplifting vibe and powerful vocals, “Something Goin’ On (In Your Soul)” remains a timeless dancefloor anthem that captivates listeners worldwide.

Todd Terry’s remix of Phreek’s “Weekend” preserves the original disco vibe with catchy female vocals and groovy rhythms. Terry’s version updates the song for the 90s with precise drum beats, perfect for DJs. Originally a disco favorite played by legends like Larry Levan and Ron Hardy, this remix remains popular and keeps the dance floor busy

“Free” by American artist Ultra Naté was released on March 31, 1997, through Strictly Rhythm. The song combines house music with 1990s soul, dance-pop, garage, and disco elements. It was co-written by Naté, Lem Springsteen, and John Ciafone and produced by Springsteen and Ciafone. Critics praised Naté’s vocals and the song’s production quality. 
“Free” became a famous dance anthem of the decade, topping charts worldwide, reaching number one in Italy and the Billboard Dance Club Play chart. Despite peaking at 75 on the Billboard Hot 100, its impact was significant. Ultra Naté’s live performances, such as those on Top of the Pops, solidified “Free” as a beloved anthem, mainly celebrated by the LGBTQ+ community for its message of empowerment.

© 2024 MAGNETIC MAGAZINE
Big Numbers On Spotify
Or Songs On Top Labels In Your Genre
And Even Have Engaged Social Media Fans
This FREE EBOOK guides you through the crucial first steps to transition from talented hobbyist to entry level professional.

source